This fall Max Caddy will be at the Sidewalk Cafe every other Friday night. This residency will feature lots of special guests and surprises along with plenty of new tunes from Jesse O’Neill and Corina Corina. It’s always free to get in the club and there is a bar and restaurant attached. Come party with us!
The next moment, I was supine, in a different place entirely, as if I had dropped through a trapdoor. Here I was on a level with marble flagstones, with feet, with the lip of the pond. It seemed suddenly hard to breathe, to inflate my lungs. I tried to roll sideways, to right myself, but there was a pain so enormous, so severe, at the base of my back that I couldn’t move. It was a large presence, this pain, with tentacles and claws: it gripped me tightly in its clutches, it drove an iron fist into my spine.
Dame Fortune is the deliciously eclectic sixth album from veteran producer and crate digger extraordinaire RJD2, out March 25th on RJ’s Electrical Connections. It’s a wondrous beast, recorded over the past year while living in Philadelphia, before returning to his hometown of Columbus, Ohio. Streaked with Philly’s rep for deeply felt soul music while maintaining a playful sense of adventurousness, Dame Fortune features guest vocalists Son Little (aka Aaron Livingston) and frequent collaborator Phonte, while also presenting the bombastic hip-hop sound that marked RJD2′s breakthrough album, Deadringer, and even an orchestral composition for the societal unrest experienced in this day and age (called "PF Day One"…the PF standing for "Post Ferguson"). "Living in Philly provided a context for a lot of soul music that I had liked," RJD2 says on the city’s influence on Dame Fortune’s sound. "I didn’t have any cultural context for this music that I liked—it was just music that I had stumbled across as a beat making nerd. Philly was a place where there were enough people who had the same musical vocabulary that I did, which made the music more than something I had just discovered on my o… (read more)
Red Wanting Blue and The Alternate Routes Quartet – Rockwood Music Hall Stage 2 December 20, 2017 – New York

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I am sure God spends time in the city. He’s there working in the shopping mall, the factories and the office buildings that speckle our wonderful nation. But I figger He must commute; ‘cause I’ll bet when He goes home for Christmas, He goes to the country.
Felix Da Housecat/ Sydney Blu/ Love & Logic at Output and Bembe Presents: Kai Alce/ Carlos Mena in The Panther Room – Output December 22, 2017 – Brooklyn
Everyone alive in Newcastle and the Hunter at the time knows what happened next, but Neil Jameson captured “The gap could have been as wide as Sydney Heads. People watched, mouths agape in disbelief . . .” the moment in the Newcastle Herald magazine Joey: The Andrew Johns Story, published in May, 2001, to mark Johns’ retirement from the game.

I ran into Randy in the airport. He was draggin’ his right hind leg like an escaped convict tryin’ to cover his tracks. I could see it had taken him a while to pull his pant leg on over the swollen knee. He side-slid to a stop to visit for a minute.
When architects contact Kikukawa they usually hand over a drawing or a rough outline. Rarely are the requests straightforward. It falls on Kikukawa’s team of designers and architects to come up with the exact measurements for the factory staff to work from. “We don’t paint metal – it’s aged or blasted – but the colour has to be consistent within a narrow spectrum,” says Tsuchiya. Figuring out how to mount every piece onto the building’s exterior is also Kikukawa’s job.
Named in homage to the concrete-bending designs of architect and structural engineer Félix Candela, the pavilion rests on three parabolic arches, with interior threadwork fashioned to resemble traditional garb found in the federal state of Jalisco, 340 miles northwest of the country’s capital.
It’s the story of the courage and skill of the crew of the lifeboat Victoria II, who saved every life on board even though the barque was being hammered by waves, swept by seas from stern to bow with tonnes of water pouring into the lower decks.
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