"Most of those people, it’s a big deterrent," Mirage Security Manager Kim Smith told Andrus. "Once you see how vast this is, you go to the other casinos. And that’s what we want. We want to keep them away from here."
Heath Francis describes his 400-metre, gold-medal winning performance at the 2008 Beijing Games as the greatest race he’s ever had.
Gold #37 – Move the whole way through the level until you get to the part with the Donut shop. There will be an Ubercommander here, so be careful. Take a left, and go down to the building with a car and a fallen sign in front of it. Enter the very last door in that building and the gold is in that dark room.
After being a reserve rider at the 1988 Seoul Olympics, Ryan took two gold at the 1992 Barcelona Olympics for the equestrian three-day team event and three-day individual event, a heroic effort as in the last round of the showjumping he could afford only one mistake to secure both golds. He cleared the first 11 jumps before stumbling at the last, good enough to seal victory. Back to defend his titles at the 1996 Atlanta Olympics, he was devastated when both his mounts went lame.

Jeff Kazee ‘One Piano & A Microphone’ – Rockwood Music Hall Stage 3 Through December 22, 2017 – New York
Named Downbeat Magazine’s Critics Choice Award Best Trombonist from 2012 – 2014, and again in 2016 (what were they thinking in 2015), Wycliffe is a man that every music fan should seek out. A highly memorable live performer, on The CO-OP LP Wycliffe penned the composition "The Theme,", and the solo multi-trombone track "Okay". About Derrick Hodge: Blue Note Recording Artist and celebrated composer and bassist, Philadelphia born Hodge is a musical chameleon equally adept at R&B, Hip-Hop, Gospel and Jazz. A deeply emotional live-performer, Hodge penned the lead-off track on The CO-OP – a tune titled "Simplicity". He also wrote the album’s penultimate track "Now or Never".
Kikukawa’s global breakout, however, was a more recent move: The company produced the swirling central ramp and about 1,000 exterior fins — all in an auburn-colored, hand-patinated bronze — for media giant Bloomberg’s $1.2 billion European headquarters in London. That project, led by London company Foster + Partners, stretched over five years. “Bronze is an expensive and tricky material to work with,” says Yoshihiko Utsuno, Kikukawa’s president and the youngest son of its founder. Utsuno smiles as he says this: It’s clearly a source of pride and one of his company’s strengths, having spent decades manufacturing bronze doors and other decorative pieces for Buddhist temples.
Join us for this bespoke, stripped down, everyman’s version of Dickens’s classic text about one last opportunity to make the wrong right. Over the past six years, thousands of people have seen and been part of the work, from London to New York City. This semi-staged production focuses on the original text and is told in a timeless manner. Actor Austin Pendleton’s portrayal as a surprisingly pensive Scrooge will haunt you! With Jim Graseck, busker violinist. Created by Laurie Strickland and Jamie Bullins, produced by Grayce Productions. Appropriate for ages 10 and up. ??

I went back to the house and commenced to rockin’. ‘Bout a quarter after five I saw my neighbor drive up, she got out, went through the house and came out the back wearin’ her covies. She started down that long line of rabbit hutches. Talkin’ to ‘em. Singin’ ‘em little rabbit songs. “Here comes Peter Cottontail, hoppin’ down the bunny trail …” All of sudden I heard her scream!
The Hunter’s links to the cup go back almost to the beginning (Archer won the fi rst cup in 1861, and returned to win again in 1862), but it was only a few years later, in 1867, that the Hunter-bred horse Tim Whiffl er, from Tocal on the Paterson River, put his name on the cup as winner. Tim Whiffler was owned and trained by Etienne de Mestre, who also owned and trained Archer.
Evenings of Piano Concerti presents a German Concerto Evening, with a program of Mozart, Beethoven, Mendelssohn, and Schuman. Four pianists from South Korea appear as the soloists of these concertos. ARTISTS Kazuo Kanemaki, conductor Sun Hee Joo, piano Boyeon Park, piano Sungjoon Song, piano Un Hea Song, piano PROGRAM MOZART – Piano Concerto in D Major, K 40 BEETHOVEN – Piano Concerto no. 4 in C minor, Op. 37 MENDELSSOHN – Piano Concerto in G minor, Op. 25 SCHUMANN – Piano Concerto in A minor, Op. 54 Student and Senior discounts are available for this concert, please call 212 501 3330 or visit the box office in person for more information.
Hearing them talk amidst themselves was mesmerizing, sort of a cross between ESPN sports announcers and J. Robert Oppenheimer in Los Alamos speculating with his crew about their next atomic bomb.
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