How to Build a DIY Savonius Wind Turbine | Steel Downpipe Roll Forming Machine

The animal is sensitized to the sun’s rays so that even a lot of the weaker rays can cause damage. An animal cannot be sunburned through a window glass but can be photosensitized through it.

So, why is this significant? Essentially, the retrofittable Oden device and resulting data analytics makes the existing factory floor smarter. This includes the ability to spot manufacturing defects or aspects of a machine’s degrading performance that could lead to defects, and more broadly, ways to further optimise production throughput and uptime.

Olivia Morreale is a 21-year-old R&B vocalist deeply influenced by and rooted in the jazz tradition; currently based in Los Angeles and hailing from New York, Olivia has studied genres from classical to contemporary pop. and has found her voice in the poetic aspect of songwriting. Influenced by poets and artists alike, she has combined her passions for literature, music and art to create her sound. She will be releasing her debut single, "Daytime Moon," on December 2nd, and is planning to release an EP in early 2018 following the single release. Slow Dance is a synth pop project that was formed by Alex Ryan and Jacob Chabon. Alex and Jacob are from New Jersey and Los Angeles, respectively, and the duo have a deep-rooted interest in synth-pop. When they first met, and after realizing they both had an equal passion for music, they originally weren’t sure what form the music they would end up making together would take or how serious the project would be; however, after long conversations about shared ironic wistfulness for sounds and aesthetics bygone and after penning their first song together, they realized the direction that they were headed, and decided that the 80′s synth-pop… (read more)

“When we had the latest expansion to our facility we were afforded the opportunity to plan our manufacturing operations so as to maximise material flow – raw and processed – and storage of final product, distribution and all the other aspects involved in the process.”

As one of modern music’s most distinctive and searching voices, Raul Midón will need no introduction to many Jazz Standard listeners. The New Mexico native, blind since birth, has released eight albums as a leader, including the acclaimed studio productions Don’t Hesitate (Mack Avenue/Artistry, 2014), Synthesis (Decca/Universal, 2009), A World Within A World (Manhattan/EMI, 2007) and State Of Mind (Manhattan/EMI, 2005); in March 2017, Mack Avenue/Artistry Music issued his latest CD, Bad Ass and Blind. The album’s star–studded supporting cast includes New Zealand–born bassist Richard Hammond, a touring and recording veteran who’s worked with Angelique Kidjo and Joan Osborn, among others. Today, Hammond is a key player in the band assembled for the smash Broadway musical Hamilton – as is drummer Andres Forero, a gifted multi-instrumentalist whose credits range from Dizzy Gillespie and Paquito D’Rivera to Wyclef Jean and Alicia Keys. One great guitarist/vocalist meetS two GRAMMY and TONY Award winners in a true 21st Century super–group – don’t miss it! Raul Midón – guitar and vocals Richard Hammond – bass Andres Forero – drums

Milkmen concerned about interruption to deliveries by revellers asked the army to provide them with a military escort, and by nightfall Newcastle was ringed with bonfi res on the hills at Merewether, New Lambton and Waratah. 

Women, “cowpersons” if you will, are becoming more common on cowboy crews. There’s never been much question that they could ride and spot sick cattle as well as a man but we’ve been kind of a chauvinistic business. They’re getting’ their chance now.

His back was broken. There were doubts he would ever walk again, let alone sail. There was a nine-hour operation, a month in bed, a body brace from hip to shoulder for three months, then learning to walk again.

Born and raised in New York City, Hayley Coupon is a talented new artist who’s catching the attention of music fans and key tastemakers for her genre-bending songwriting and distinctive blend of folk, rock, pop balladry and Americana. Hayley is getting ready to release her debut LP "Wire & Rope," the follow up to her EP "Do the Right Thing, Like You Said You Would" which had the New York Times’ T Magazine stand up and call Hayley "New York’s New Chanteuse to Watch." Hayley’s unique voice remains at the center of her music that is equal parts lush and sparse, earnest and playful, contemporary and nostalgic, and is the gravitational force that holds the listener from song to song. Pigeons and Planes praises Hayley’s music as "devastatingly beautiful" and Okayplayer applauds her songwriting for being "as distinctive as it is infectious." "Wire & Rope" will be released in early 2018.

I looked up at the pig-eyed backyard horse. The roll of fat down the crest of his neck quivered as he snorted and flared his nostrils. He was not pleased that I’d managed to get a halter on him in the first place. He belonged to a thirteen year old kid who rode him faithfully at least once a month. This horse was used to bein’ the boss and he did not tolerate my attempts to force my wishes on him.

ARTIST INFO THE FELICE BROTHERS The Felice Brothers’ new album Life in the Dark, due June 24 on Yep Roc, is classic American music. At once plainspoken and deeply literate, the band’s latest features nine new songs that capture the hopes and fears, the yearning and resignation, of a rootless, restless nation at a time of change. Life in the Dark also coincides with The Felice Brothers’ 10th anniversary as a band. Hailed by the AV Club for a sound at once "timeless, yet tossed-off," they’ve released plenty of music over the past decade, often on their own without a record label, but the new album is the fullest realization yet of the band’s DIY tendencies. Self-produced by the musicians and engineered by James Felice (who also contributed accordion, keyboards and vocals), the Felice Brothers made Life in the Dark themselves in a garage on a farm in upstate New York, observed only by audience of poultry. "The recording is definitely rough around the edges and cheap," James Felice says, laughing. "It was liberating and really cool to do. It allowed us to untether ourselves from anything and just make music." Because of makeshift studio set-up, the music they made was nece… (read more)

“Madame Cowperson, I move we demand a grant from the Dept. of Non-Human Resources to study our new rights!”